Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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James Charles
Bringing the boat ashore

ID: 97201

James Charles Bringing the boat ashore
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James Charles Bringing the boat ashore


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James Charles

English Painter, 1851-1906  Related Paintings of James Charles :. | Jan Davidsz | Flowers of fruits and tray with chalkboard glasses out of blown glass | Arab or Arabic people and life. Orientalism oil paintings 128 | Landscape in Provence | The Rommel Pot Player (detail) |
Related Artists:
Austrian School
painted Future Emperor Charles VI in before 1711
Giacomo Guardi
(1764-1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him.
Luca Giordano
1632-1705 Italian Luca Giordano Gallery Charles II of Spain towards 1687 invited him over to Madrid, where he remained for 10 years (1692-1702). In Spain, he produced works for the Royal Palace of Madrid, the Buen Retiro palace, El Escorial, Toledo, and other sites. Giordano was popular at the Spanish court, and the king granted him title as a "caballero". One anecdote of Giordano's speed at painting is that, he was once asked by the Queen of Spain what his wife looked like. On the spot, he painted his wife into the picture before him for the Queen. In Spain he executed numerous works, continuing in the Escorial the series commenced by Cambiasi, and painting frescoes of the Triumphs of the Church, the Genealogy and Life of the Madonna, the stories of Moses, Gideon, David and the Celebrated Women of Scripture, all works of large dimensions. His Dream of Solomon (1693, now at Prado) dates from this period. His pupils, Aniello Rossi and Matteo Pacelli, assisted him in Spain. In Madrid he worked more in oil-colour, a Nativity there being one of his best productions.






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